No more champagne
And the fireworks are through
Here we are, me and you
Feeling lost and feeling blue
It's the end of the party
And the morning seems so gray
So unlike yesterday
Now's the time for us to say ...
Abba, the Swedish pop music group that originated in Stockholm in the 1970's, released this hit song in 1980 as part of an album. Against the backdrop of the 1970's, the lyrics above assume an even greater poignancy. With the war in Vietnam, the Iranian Revolution, the conflicts in the Middle East, the rise of terrorism, and the energy/oil crisis, the "party' did seem to be over in many respects.
Apart from the cultural and societal turmoil, Abba itself would suspend its work, and the two couples in the group would each divorce in the late 70's and early 80's. But this blog is not intended as a psychological analysis of the 70's or of Abba's psyche, collectively or individually. They appear to have gotten on with life very well.
So it is the poignancy of the lyrics in themselves that draws my attention at the moment. Also, there is one additional factor at play for me personally. This comes from a holiday visit with our daughter and her family on the west coast, a visit that gave opportunities for singing and making music with our piano, cello, guitar, tambourines, and voices! This is part of our family tradition. On most occasions when we get together, there will be songs, impromptu performances, laughter, and the challenge of trying new songs to add to our repertoire.
It was at such a moment when we were congratulating ourselves on how well we sounded (to ourselves!) when the suggestion arose that we should do Abba's "Happy New Year." Sober reflections prevailed, however, and we gently let that prospect for our ourve fade away -- at least for the moment and perhaps for all time.
Why?
Well the first and obvious answer is that we could not reach the pinnacle Abba achieves in their arrangement. But there is something else going on in our reflections on the lyrics of that song. I have referred to the poignancy of the lyrics, but "poignancy" does not contain the deep emotion of the images evoked in those words to the second and third verses:
Sometimes I see
How the brave new world arrives
And I see how it thrives
In the ashes of our lives
Oh yes, man is a fool
And he thinks he'll be okay
Dragging on, feet of clay
Never knowing he's astray
Keeps on going anyway
Seems to me now
That the dreams we had before
Are all dead, nothing now
Than confetti on the floor
It's the end of a decade
In another ten years time
Who can say what we'll find
What lies waiting down the line
In the end of [twenty-nine]
The words are written as if for today. Here we are, you and I, facing a political process in crisis, unending wars of brutalization of armed soldiers and civilians, an opioid crisis whose real cause has not been named because of what it would reveal about the spiritual vacuousness of our society, an upswing in suicide rates for our children and young people, the creeping ecological changes, the destruction of habitats for wildlife and humans who migrate to our neighborhoods and shores, and the engines that drive our production and marketing of distractions which anesthetize our consciences.
But Abba's song does not end in despair, and neither must we resign ourselves to the distressing way of things we are experiencing as 2018 becomes 2019. We are free to envision another world, a kinder and more hopeful world. Here is the way Abba ends their lyrics:
Happy new year
Happy new year
May we all have a vision now and then
Of a world where every neighbor is a friend
Happy new year
Happy new year
May we all have our hopes, our will to try
If we don't we may as well lay down and die
You and I
For 2019, I am choosing to believe the party is not over, that all of our dreams are not like confetti on the floor, and that we do not have to stand on feet of clay, because our feet are made for dancing!
I invite you to join me in the dance, as I wish you a happy new year!
(Happy New Year lyrics by Benny Andersson and Bjorn K. Ulvaeus, Sony/ATV Music Publishing LLC, Universal Music Publishing Group)