On December 18, Carl Jung had the following dream:
I was with an unknown, brown-skinned man, a savage, in a lonely,
rocky mountain landscape. It was before dawn; the eastern sky
was already bright, and the stars fading. Then I heard Siegfried's
horn sounding over the mountains and I knew that we had to kill
him. We were armed with rifles and lay in wait for him on a narrow
path over the rocks. Then Siegfried appeared high on the crest of
the mountain, in the first ray of the rising sun. On a chariot made
of the bones of the dead he drove at furious speed down the
precipitous slope. When he turned a corner, we shot at him, and
he plunged down, struck dead.
Filled with disgust and remorse for having destroyed something
so great and beautiful, I turned to flee, impelled by the fear that
the murder might be discovered. But a tremendous downfall of
rain began, and I knew it would wipe out all traces of the deed.
I had escaped the danger of discovery, life would go on, but an
unbearable feeing of guilt remained.
When Jung woke up, he heard a voice within himself commanding that he understand the meaning of the dream, but he could not. Finally, with a sense of desperation, Jung came to a conclusion. Siegfried, Jung thought, was a symbol of his own heroic idealism that had to be killed, and the rain represented the tension between consciousness and unconsciousness, a tension that had been resolved. With this understanding of his dream, Jung was able to go back to sleep.
Jung goes on to describe another profound experience that came out of his dream. He said, "new forces were released in me which helped me to carry the experiment with the unconscious to a conclusion." What is the nature of Jung's "experiment with the unconscious," and how had the dream make that future work possible?
Beyond a brief reference to his attitude of considering himself a hero, and thus identifying with Siegfried, we have to consider what in addition might have emerged in the symbol of Siegfried. This symbol of a heroic figure driving a chariot of bones of the dead, careening down a mountain slope—this symbol surely means much more than Jung has claimed.
For example, consider two additional associations we might consider.
- The first and obvious one is the mythological figure in Germany's folklore. Siegfried was a heroic figure in the German poem, Nibelungenlied in which he rides his famous horse Grani, slays a dragon, bathes in its blood, and marries Princess Kriemhild.
- Siegfried also is a symbol of Sigmund Freud and his powerful drive to establish psychoanalysis as a science in which the unconscious was to be understood as the mind's attempt to repress the sexual drives and aggressive thoughts that violated the social norms of one's society.
Give these two possibilities for what the symbol of Siegfried might mean in his dream, Jung admits the anguish that tortured himself before he concluded that Siegfried was a symbol of Jung himself as a heroic figure. Nowhere does Jung refer to the possibility that Siegfried might well be a symbol of Freud.
Why the torture to come to grips with the meaning of that symbol? But also,Jung admits he had been "forced to sacrifice his ideal and his conscious attitude." (p. 180) Whose ideal and conscious ideal had Jung followed?
And the answer is that Jung yielded to Sigmund Freud's ideal. What was that? To Freud's credit, he made clear his intention, his ideal, his professional aim, and his ambition. During the thirteen hour-long conversation when they first met, Freud said to Jung, "My dear Jung, promise me never to abandon the sexual theory. That is the most essential thing of all. You see, we must make of it a dogma, an unmistakable bulwark." (p. 150)
At the time Freud made that statement, Jung made this observation:
One thing was clear: Freud who had always made much of irreligiosity, had
now constructed a dogma, or rather in place of a jealous God whom he had
lost, he had substituted another compelling image, that of sexuality.
However, Jung participated in the newly formed "religion" as the golden boy in whom Freud found favor. So it was that with Freud's urging, Jung was appointed the first president of the new organization, The International Psychoanalytical Association. In fact, he held that office at the time of the dream we are considering and did not resign until April 1914, long after the dream of Siegfried.
Jung surely was tormented over his break with Freud's "dogma" and the emerging psychoanalytical association. Meanwhile, Jung published his book Psychology of the Unconscious, in which he affirmed a deep level of the unconscious, later called the collective unconscious. Jung's idea strongly challenged Freud's sexual theory and idea of the unconscious as a repository for repression of disturbing perceptions, thoughts and emotions.
Jung struggled to free himself from Freud's dogma but also from the role Freud had persuaded Jung to assume as president of the psychoanalytic association. Jung struggled to become free to live his own life and pursue his study of human personality, the realm of the mind's unconscious, ad the role dreams play to compensate our waking-life existence.
This dream about Siegfried played a significant role in freeing Jung to pursue his own purpose. The dominance of Sigmund Freud in Jung's life had to be terminated. And so it was in a dream when the symbol of Siegfried was assassinated.
The question remains, however, as to how this dream and my comments shed light on the major theme, "Dreams in Search of a Moral Compass." Defining morality as "actions that conform to one's values," we can conclude that Jung's dream honors the far reaches of human potential. The death of Siegfried in Jung's dream becomes not a tragedy but an awakening of human consciousness.
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